Saturday, 5 May 2012

[Project 3] Social Realism Research

Because of my lack of knowledge about social realism, I decided to do some thorough research into its origin and exact definition. Here are extracts from what I found to be most relevant for my essay:

"Social Realism became an important art movement during the Great Depression in the United States in the 1930s. As an American artistic movement it is closely related to American scene painting and to Regionalism. Social Realism developed as a reaction against idealism and the exaggerated ego encouraged by Romanticism. Consequences of the Industrial Revolution became apparent; urban centers grew, slums proliferated on a new scale contrasting with the display of wealth of the upper classes. With a new sense of social consciousness, the Social Realists pledged to “fight the beautiful art”, any style which appealed to the eye or emotions. They focused on the ugly realities of contemporary life and sympathized with working-class people, particularly the poor. They recorded what they saw (“as it existed”) in a dispassionate manner. The public was outraged by Social Realism, in part, because they didn't know how to look at it or what to do with it (George Shi, University of Fine Arts, Valencia)"

"Better than any other genre, social realism has shown us to ourselves, pushing the boundaries in the effort to put the experiences of real Britons on the screen, and shaping our ideas of what British cinema can be. While our cinema has experienced all the fluctuations in fortune of Hollywood's first export territory, realism has been Britain's richest gift to world"


"Social realism has played an important role in both British cinema and TV. The British documentary movement which developed under the leadership of John Grierson  was enormously influential in stimulating what became a strand of fiction film described as social realism.

Humphrey Jennings who started out with this movement brought a sense of the surreality of popular culture in everyday life to his work. His wartime docu-dramas and documentary work are exemplary pieces of art working across genres to produce some of the best work ever made by a British director.

Jennings was an inspiration to Lindsay Anderson and those who gathered around him in the British 'Free Cinema'. Technical discoveries by cameraman Walter Lassally were to influence the work of the French New Wave Filmmakers and cinematographers. "


http://www.screenonline.org.uk/film/id/1037898/index.html
http://en.wikipedia.org/wiki/Social_realism
http://blogs.warwick.ac.uk/michaelwalford/entry/british_cinema_social/

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